with timid fingers caress the canvas
unfinished
day in your home
Nothing changes on the threshold of stinking cold winter
I wore the dress better looking
more chaste in that day of tears exuded
Spiritual reading - Giorgio Meroni - oil on canvas 60 x50
Sun among the clouds - acrylic
Verezzi -Via alla chiesa - acrilico
Hanno detto di lui
"Una via di mezzo tra cubismo e spazialismo, senza trascendere e nell'uno e nell'altro, così da consentire la nascita di una spiccata personalità.
Indubbiamente l'artista possiede una carica emotiva di alta concentrazione che permette certi arditi accostamenti cromatici per creare profondità nuove e dare corpo a cento punti focali, tutti essenziali alla coralità del quadro, tanto da formare una bilanciata armonia composiiva".
Victor Spoils
"These paintings are departing from reality and then transfigured with a kaleidoscope series of bright shades that play between solids and voids, forming a lattice abstract and autonomous.
The great light fades and blends the old and new, the Bad and the Beautiful ....
The eye of the painter has discovered the secret of this beautiful Liguria: the green gone, the landscape has remained humble, however, a large sun ... "That seems able to heal the wounds. It 's a beautiful illusion, especially for those coming from outside, and it is right that the Meroni has fixed on the canvas giving it, of his considerable stylistic rigor. " ; ; Sergio Paglieri
Giorgio Meroni nato a Erba il 25 dicembre 1929 laureato in filosofia all'Università di Milano ha scritto della sua arte:
E' senza dubbio, difficile parlare della propria pittura. Se lo si fa, stimolati by the demands of exegesis of the observers, one can, if you are able, to give of its kind - literary - a product even interesting, but it is likely to offer something that stands by itself, a second work, which perhaps defeats the first . On the other hand, if the artist feels, although not required, to present to the public, is that you may obtain a stimulus to self-clarification and improvement of its lavoro.Per example I can say, first of all, that behind my painting , there is - and perhaps there should be - seen as a poetic philosophy, nor an ideology. I have never - or almost. felt the need to translate, in pictorial language, a system of cultural content or some repertoire of ideas. Not even to express the concerns, the anxieties, or more simply, the moods and impressions that can become stories or, however, speakable, and to ensure that my work "say something". I just express " vision ", the painting is not for me, if not primarily a language that did not - and has not - other means to survive and take hold, but itself. Tecniicismo and virtuosity of the image, then?
could lead to this conclusion, the intricacy of the composition, the various overlapping and interpenetrating planes, the frequent extensions of lines to and from the proliferation of ever more numerous focal points, the constant light counterpoint - space, not a wax trend ripetiitiva signs and inlaid color by prospective games. Items, all, all new, anyway.
Although, on this way, she still has, much to walk and sweat like a good craftsman, I think, to say that the technical apparatus is, in my painting half. But this
removed, which can stay?
a lyrical vision of reality:
of reality and look at me curious and almost always fascinates me, although sometimes too familiar, the plaintiff, changing, also whip and ugly, if you will, but that motivates me to go further, while not denying it, a kind of banal trip from objectivity and perhaps apparent, to a poetic objectivity and, therefore, more consistent, whose elements are, above all, space and light, seen as essential dimensions of a pictorial vision.
oil on canvas
train at dusk
Ranzi - up and down - oil on canvas board
POEMS OF GEORGE
As you are far away
How many stars
water from the moon
How many crickets in the air from the garden
How far are you running light or
the sweet north
sea
vain my hand tonight would
you plan but plan
fly
7/9/81
Give me your hand
Come
just give me your hand if you can
Let
- parallel lives -
(you will touch the infinite?)
where fresh Levantine
parades white sails
path for the good of the street
Come
just give me your fingers
If you really want
will be - they - you know who can read
us.
8/9/81
Je fèrme mes yeux
J'ouvre moi - meme
Mon rève merveilleux
c'est toitoique j'aime
Il mondo di Giorgio
"Serena geometria
o geometrica serenità!"
Questo affermavi
e gloria di presenze dipingevi,
ritagli di paesi illuminati,
immagini sorted and cleaned.
space and form penetrating and passing
not get stuck in the dark catacombs
you drew on with patience bee
that world you become unwelcome.
the snarling fury of preceptors
opposed courage resplendent:
your light has taught me so much,
anarchist Giorgio, Giorgio charmer!
Ambrose Meroni
fishermen all'alba - olio su tela
zuppa di pesce
composizione per 5 conchiglie con alghe - acrilico su carta
composizione per 6 conchiglie
composizione per 2 conchiglie
composition 3 shells and algae
small photo album
hour Heavenly
turned his eye to the stars
fraction of the time so close
so far
at first light
immaculate white paper is
two signs are the inevitable incredible
white dawn
scratching on the wall
July 10, 1984
cs
